New Wave from Brazil: 10 Retro Classics for Your Playlist

If you thought New Wave was just a European phenomenon, think again.
The sound of angular guitars, synth-driven hooks, and danceable rhythms didn’t stop at the English Channel — it travelled all the way to Brazil, where it found an eager audience and some truly inventive musicians.

From the quirky charm of Gang 90 & As Absurdettes to the sleek, synth-laden grooves of Metrô and the eternal cool of Rita Lee, Brazilian artists in the ‘80s turned New Wave into something uniquely their own.

At Area Orbital, we’ve put together a list of ten Brazilian New Wave gems that deserve a spot on your retro playlist — whether you’re an ‘80s aficionado or just curious to hear how this global movement resonated south of the equator.

Shall we dive in?

Fábio César

New Wave Brasileira nos Anos 80: Um Legado Atemporal

Here’s our hand-picked list of ten Brazilian New Wave tracks — full of quirky synths, danceable grooves, and poetic twists. Whether you’re into The Human League, Talking Heads, or Spandau Ballet, you’ll find something fresh here to add to your retro playlist.

💡 Playlist Tip:
Start with Metrô to set the mood, then dive into the more experimental Azul 29 — it’s like discovering an alternate ‘80s universe.

Metrô – “Beat Acelerado” (1984)

Think of this as Brazil’s very own answer to Blondie-meets-Depeche Mode. Metrô nailed the balance between catchy rhythms, polished instrumentation, and elegant pop.

Fronted by the effortlessly charming Virginie, the band also gave a subtle nod to women pushing back against restrictive social norms — very ahead of its time.

Blitz – “Você não soube me amar” (1982)

Blitz brought humour and storytelling into New Wave, crafting playful lyrics that sound lighthearted on the surface but provoke deeper thoughts about love and sincerity.

It’s theatrical, a bit cheeky — like Ian Dury and the Blockheads with a samba twist.

Omar e Os Cianos – “Abominável Homem das Neves” (1985)

A hidden gem of Brazilian synthpop! Fabiene’s soaring, high-pitched vocals take centre stage in this infectious tune that will stick in your head all day. Imagine Bananarama fronting an electro-rock band — and you’re close.

Rita Lee – “Lança-perfume” (1980)

No list would be complete without Rita Lee — the Queen of Brazilian Rock. This track marks her playful transition into more dance-oriented sounds, blending the last sparkle of disco with fresh New Wave energy.

It’s as iconic in Brazil as “Let’s Dance” was for Bowie.

Afrodite se quiser – “O que ela tem que eu não tenho” (1987)

A dramatic, fearless anthem — complete with the unforgettable mid-song shout: “Babaca!” (“Jerk!”).

This glamorous trio channelled heartbreak into empowerment, and yes, that’s legendary guitarist Robertinho do Recife adding fire to the track.

Azul 29 – “Vídeo Game” (1984)

Brazil’s most experimental entry into synthpop — moody, cyberpunk-tinged, and way ahead of its time.

Sadly, Azul 29 had a short career, but their work feels like something that wouldn’t sound out of place next to Visage or early Ultravox.

Gang 90 & Absurdettes – “Telefone” (1983)

One of the first Brazilian bands to embrace New Wave’s urban poetry, complete with a strong female presence.

“Telefone” is charmingly simple yet daring — think Tom Tom Club with a São Paulo twist.

Ritchie – “Menina Veneno” (1983)

For all intents and purposes, Menina Veneno is one of the most beautiful pop songs of the 80s. Ritchie’s performance is spot-on — a true masterclass in charisma. It almost feels like we’re watching a movie, given how well the story is told.

And the synthesizers deepen the sensual and mysterious atmosphere of the lyrics, especially in the chorus.

Kid Abelha e Os Abóboras Selvagens – “Fixação” (1984)

Kid Abelha were effortlessly cool — switching between upbeat dance numbers and introspective ballads.

“Fixação” is youthful, witty, and feels like it belongs on the same mixtape as The Go-Go’s or early Madonna.

Degradée – “Mais que um Sonhador” (1984)

One of those tracks that instantly tugs at your heart. Its soaring chorus and shimmering synth lines make it a must-hear for fans of nostalgic pop. Though the band is less known today, this song is a standout that deserves rediscovery.

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Fábio César has a degree in philosophy from São Judas Tadeu University and a postgraduate degree in Art Direction from Anhanguera College.